Architecture and environments for virtual exhibitions with major institutional partners, built mainly in SideFX Houdini with a procedural, node-based approach: parametric systems for massing, facade articulation, and repeating structural elements, so models could be revised non-destructively and optimized for real-time rendering. The same approach carried into a virtual production with the filmmaker David Kelley.

Environmental graphics, vinyl installations, didactic wall text, and caption systems for exhibitions at Jeffrey Deitch Gallery, LACMA, Lancaster Museum of Art and History, Laband Art Gallery, and Durón Gallery. Translated dense historical subject matter into legible communication adapted to each venue’s architecture, audience, and scale. Built 3D layouts in SketchUp to resolve artwork placement, sightlines, visitor flow, and lighting, and presented them to curatorial and executive stakeholders for approval before build-out.

Owned the end-to-end redesign and rebrand of a six-site digital ecosystem: the main SPARC site, the Great Wall Institute and MuralMemoirs subdomains, SPARC Shop, the MuralShield store, and Artistic Director Judy Baca’s site. The work covered information architecture, wireframes, responsive UI, and a shared component, template, and brand-guideline library that keeps patterns consistent across every property.

A decade of legacy archive content was restructured so visitors can move between the main site and its subdomains without losing their place, while preserving the organization’s historical identity. Designs were carried through to implementation in HTML/CSS/JavaScript and WordPress, with CMS migrations, staging deployments, and hosting managed across all six properties.

Established the studio’s design pipelines and file structures: Figma for collaborative production, and Photoshop workflows for concurrent editing of large-scale mural files. Built command-line tools in Rust to automate processing and validation of multi-gigapixel mural image files, including batch resizing, tiling, and stitching. Photographed murals and artworks as color-accurate, multi-shot captures, stitched and retouched for archival records and fine-art reproduction, and created motion graphics for web, social, and in-exhibition display.

Booth layouts, sightlines, artwork placement, and spatial flow for 8+ international art fairs a year across 6 countries. Presented design proposals to the gallery principals, then supervised installation crews on site within tight load-in windows, venue restrictions, and fixed budgets. Each fair posed the same challenge: making the gallery’s presence distinct on a dense floor of neighboring exhibitors.

Four bodies of work on the relationship between bodies, materials, and technological systems. The exhibition sets machine learning architectures alongside organic materials, interactive elements, and spatial design.

Site-specific exhibition situated close to the historical location of Santa Ana’s former Chinatown, extending the visitor experience beyond the gallery walls into the surrounding urban context. The spatial design guides visitors from a sculptural environment through a partition into an immersive projection space and a video screening area, creating several distinct experiential zones within a single gallery. Developed across a year-long residency, supported in part by the Andy Warhol Foundation. Featured in the Los Angeles Times and Frieze.

Maintained and evolved the gallery’s visual identity as a design system across 20+ exhibitions in Malaysia, Singapore, and Thailand, and across owned and third-party platforms (website, Artsy, Ocula, social, print). Each exhibition began as a campaign identity developed with the artist, then extended into print collateral, advertising, and social. Alongside that ran the editorial work: monographs co-published with Skira Editore, exhibition catalogues, and a year-in-review almanac that doubled as the gallery’s institutional archive.

End-to-end auction events at hotel ballroom and gallery scale, from pre-auction exhibition layout through stage design and the live auction environment, under one brand standard from catalogue to stage. Also implemented the company’s online auction system: live bidding integrated into the website and run on site during sales, with a live lot display converting bids in real time across five currencies for regional bidders.